{"id":1081,"date":"2019-06-25T21:57:27","date_gmt":"2019-06-25T21:57:27","guid":{"rendered":"https:\/\/materiaisdiversos.com\/?post_type=autores&p=1081"},"modified":"2019-06-25T21:57:27","modified_gmt":"2019-06-25T21:57:27","slug":"sr-joao","status":"publish","type":"autores","link":"https:\/\/materiaisdiversos.com\/en\/autores\/sr-joao\/","title":{"rendered":"Sr. Jo\u00e3o"},"content":{"rendered":"

Sr. Jo\u00e3o is a colletive founded in 2009 by \u00d3scar Silva, Pedro Barreiro, Ricardo B. Marques and Silvana Ivaldi, which works mainly in theatre and performance. Sr. Jo\u00e3o is interested, among other things, in thinking about performative acts as poetic generators and experimentation on the constituting conventions of theatrical forms. Most of the public performances of Sr. Jo\u00e3o\u00b4s shows took place in S\u00e3o Paulo, Brazil, between 2010 and 2014, among which some highlights were Espect\u00e1culo Absoluto (2014), Traumatheatre (2012), Tool Box (2012), I Love SP (2011) and Primeira Valsa (2011), preceded by Porque o destino nos segue o rasto como um louco com uma navalha na m\u00e3o \u2013 um espect\u00e1culo de passe (2010), which was presented in Lisbon. <\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-1081","autores","type-autores","status-publish","hentry"],"acf":[],"yoast_head":"\nSr. Jo\u00e3o - Materiais Diversos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/materiaisdiversos.com\/autores\/sr-joao\/?lang=en\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sr. Jo\u00e3o - Materiais Diversos\" \/>\n<meta property=\"og:description\" content=\"Sr. Jo\u00e3o is a colletive founded in 2009 by \u00d3scar Silva, Pedro Barreiro, Ricardo B. Marques and Silvana Ivaldi, which works mainly in theatre and performance. Sr. Jo\u00e3o is interested, among other things, in thinking about performative acts as poetic generators and experimentation on the constituting conventions of theatrical forms. 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