1999, Leiria – Portugal<\/p>\n
During a sabbatical year, after studying Ceramic Design and Sculpture at the Col\u00e9gio de S. Miguel, she joined the Te-Ato Theatre Group in Leiria and began training in Dance at the Associa\u00e7\u00e3o de Dan\u00e7a e Desenvolvimento Social de Leiria, attending regular classes in Contemporary and Classical Dance, after which she entered the Escola Superior de Dan\u00e7a.<\/p>\n
She completed her degree in Dance and moved to Wuppertal-Germany for a professional internship at the Merighy Mercy Kompanie, where she also ended up joining the team at the Tanz Station-Barmer Bahnhof residency centre.<\/p>\n
Since then, she has been working as an independent freelancer, carrying out work in the areas of interpreting, artistic assistance, production and communication design for national and German artists\/structures.<\/p>\n
She has worked with the cultural co-operative Lavrar o Mar as an interpreter\/co-interpreter on the plays RUMOR<\/em>, E SE FIZ\u00c9SSEMOS TUDO OUTRA VEZ<\/em>, and Bowing<\/em>. She has also performed in the plays Bisonte: ReS-tage<\/em> by Marco da Silva Ferreira and SoundWalk – Bewegte Orte<\/em> by Thusnelda Mercy. As a creator, she has produced the video dance Casa de Barro<\/em>.<\/p>\n Interested in artistic projects that dialogue between performative interdisciplinarity and the social\/geographical atmosphere, she works on researching \u2018sensitivity\u2019 as a tool for the development of the individual and, consequently, the collective.<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-6229","autores","type-autores","status-publish","hentry"],"acf":[],"yoast_head":"\n