A Inven\u00e7\u00e3o da Maldade is composed as a rite of passage and a struggle, a grouping of bodies which risk the unknown, becoming vulnerable to other rationales and realities. It is a reflection on evil as an inherent presence in relationship to the other, form the beginning of time to the present. As Rodrigo Garcia says, in a text written about another work by Marcelo Evelin, Batucada (2014): \u201cAll matter is made up of fifty per cent of hate\u201d.<\/p>\n
It is around the bonfire, which has existed as an invention of culture and interaction for 400 thousand years, that the work is developed. The bonfire allowed for the domestication of humanity and the animals which approached, creating a place-situation where people began to gather to warm themselves, eat, tell stories, celebrate and practice rituals. In A Inven\u00e7\u00e3o da Maldade, the public once again gathers around it. <\/p>\n
The action takes place in a raw, horizontal space shared with the public, as an invitation to an experience. A configuration with direct lighting, naked bodies, bonfires reinforced with branches and logs, which are never lit, and a soundtrack made up of electronic percussion and wind chimes which are manipulated in real time. \u201cThey produce a type of floating atmosphere, like the noisy silence of a sanctuary or the wind passing through a wooden cabin. They are the sounds of something that isn\u00b4t there.\u201d, states the philosopher Jonas Schnor, writer and researcher in the area of performance. <\/p>\n
PREMIERE
\n5 April 2019 – 7 April 2019
\nCampo, Teresina, BR<\/p>\n","protected":false},"featured_media":357,"template":"","class_list":["post-1130","produzimos","type-produzimos","status-publish","has-post-thumbnail","hentry","area-danca-en","area-dance"],"acf":[],"yoast_head":"\n