Festival
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The Materiais Diversos Festival promotes the meeting of different audiences and imaginaries around the arts (dance, theatre, music and performance) with thought, questioning actuality and fostering cultural participation as a condition for citizenship. Born in Minde, in 2009, it spread to Alcanena and Cartaxo (in 2013) and became one of the most representative projects for programming outside the large centres in Portugal, attempting to think and act from the places it originates. It had been occurring annually until 2017 and became a biannual event starting with its 10th edition in 2019.

From the 5th to the 15th of October 2023, the Festival Materiais Diversos will be in Alcanena and Minde with a program of dance, theater and music shows, installations and conversations. Slowing down and making people, places and processes visible are the mottos of the 12th edition of the festival.

2023
2021
2019
2017

Artistic Residencies
5 February 2020 – 17 February 2020
Centro Cultural da Malaposta

Planet Alexithymia: No Words for Feelings

Karl Saks

Karl Saks is a freelancer choreographer, dancer and sound designer from Estonia, Tartu. He graduated Tartu University Viljandi Culture Academy, Performing Arts Department in 2009 and Estonia Art Academy, New Media Department (MA) in 2017.
He has created three solo performances and has taken part in collaborations as sound designer in the context of theatre, movie and gallery art, as dramaturg, as performer, as directors’ assistant and as co-director.
He is part of a musical collective Cubus Larvik that has contributed three releases since 2005. Cubus Larvik works on their exploration of dark electronica, also incorporating non-musical areas and encrypted occult messages from the worldwide cinematic archive. Cubus Larvik navigates in-between the music and art scene.
He works also as part time teacher and is giving workshops of partner work, floor technique and improvisation in Estonia and abroad.

Projectos

[Alexithymia: subclinical phenomenon involving a lack of emotional awareness or, more specifically, difficulty in identifying and describing feelings and in distinguishing feelings from the bodily sensations of emotional arousal]
The performance examines isolation, which is centred by the body and its strength, utility, obedience, distribution and surrender. Observes how the environment colonizes the body, sets boundaries, influences, manipulates. On a body that is pressed into the environment – whether it is a blackbox or a prison or arable land – you have to deal with routine and pragmatic repetitions – a regenerating sequence and the phenomenon of how body functions adopt to it (or not) will
be the subject of the future work. Who is ‘doing the time’, is it a viewer or a performer?

seta esquerda
seta direita
Agenda
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