A dreamlike army of void and presence, where the boundaries between political and social intervention dissolve, giving rise to a space charged with silence, noise, non-linear information, weight, and the fluctuation of time.

Literally, it means being crossed (atravessada) by something, by many things. To be intersected. To be mischievous, to unsettle. To serve myself on a platter. To be a street crossing between two larger streets. To be a crossing.

A dreamlike army of void and presence, where the boundaries between political and social intervention dissolve, giving rise to a space charged with silence, noise, non-linear information, weight, and the fluctuation of time.

Literally, it means being crossed (atravessada) by something, by many things. To be intersected. To be mischievous, to unsettle. To serve myself on a platter. To be a street crossing between two larger streets. To be a crossing.

Application form available here.

A dreamlike army of void and presence, where the boundaries between political and social intervention dissolve, giving rise to a space charged with silence, noise, non-linear information, weight, and the fluctuation of time.

The construction of what it means “to be a man” and the pressure to conform to that ideal are revisited in an intimate way. Between an intimate encounter and the magic of the stage there is a lot, but what is the shortest distance between these two realms? Pai para Jantar is a game with the audience that seeks to unpack masculinity in a poetic and humorous way.

KITADA is a new choreographic work by Marga Alfeirão that explores female desire and eroticism, as well as intergenerational connections between women.

Literally, it means being crossed (atravessada) by something, by many things. To be intersected. To be mischievous, to unsettle. To serve myself on a platter. To be a street crossing between two larger streets. To be a crossing.

KITADA (2026) is a new choreographic work by Marga Alfeirão that explores female desire and eroticism, as well as intergenerational connections between women.

KITADA is a new choreographic work by Marga Alfeirão that explores female desire and eroticism, as well as intergenerational connections between women.

Other dates with Neon Lobster

A dreamlike army of void and presence, where the boundaries between political and social intervention dissolve, giving rise to a space charged with silence, noise, non-linear information, weight, and the fluctuation of time.

Literally, it means being crossed (atravessada) by something, by many things. To be intersected. To be mischievous, to unsettle. To serve myself on a platter. To be a street crossing between two larger streets. To be a crossing.

DRIFT research process sharing

Other dates with Neon Lobster